I held my breath while opening crates with sculptures that had been stored for over two decades.

It was black-and-white photography that first drew me to visual art.

It’s not about voguing; it’s more with voguers. I’m more working with the people themselves.

Alongside the clear political fractures that have emerged between and within governments in the region are also less obvious cultural shifts that have quietly begun to transform and redefine the relationship between individuals and state authority.

This April, thanks to the financial support of the Swarovski Foundation, work to restore the statue of Saint Giorgio in Venice to its former glory will be complete.

"I’ve absorbed the computer into the composition of my works in a way that feels so natural that I hardly think of it."

"Don’t look back" was the code of a few artists in my generation, and I’ve tried to avoid retro behavior most of my life.

This is Warhol’s 1973 portrait of the gallerist Ileana Sonnabend, from the show that celebrates her at the Museum of Modern Art, through April 21.

James Rosenquist does not look back, doesn’t dwell on history.

When Christine Argillet was a child, her father took a photograph of her dressed as the Infante from Velasquez’s painting, and after seeing this, Salvador Dali would take to calling her "La Petite Infante."